Special Collections
Michigan State University Libraries
East Lansing, Michigan 48824-1048
THOMAS MCGUANE PAPERS
BOX 1
Correspondence
1. American Sportsman, 1979-1981. 2 TLS.
2. Michael deCapua, 1975-1979. 3 TLS.
3. Candida Donadio, 1968-1971. 3 TLS, 1 5 pp. ALS.
4. John Moore, n.d. 3 ALS.
5. The Sporting Club, 1969-1980. 11 TLS, cover design.
6. New York Times, 1973 & 1979, and "The Guest." 2 TLS.
7. Outside, 1977-1980, 3 TLS and article galley, July
1979.
8. Dexter Westrum, 1985-1989. 3 TLS.
Interviews
9. Lit Lear, March 1984, typescript computer generated
original, 16 pp.
10. Larry McCaffery, "An Interview with Thomas McGuane,"
typescript photocopy, n.d., 48 pp.
11. Larry McCaffery, "An Interview with Thomas McGuane,"
17 June 1973, typescript original with annotations,
43 pp.
12. Larry McCaffery with Sinda Gregory, typescript
photocopy with annotations, 44 pp.
Writings on McGuane's Works
13. Pat Tobin, At the Interface: Post Modern Fiction
and Theory. "Thomas McGuane: Untimeliness and the
'Direst Possible Clownage'," typescript photocopy,
48 pp.I with TLS, Pat Tobin to TM, n.d., 1 p.
14. Albert Howard Carter, III, "McGuane's First Three
Novels: Games, Fun, Nemesis," offprint, n.p., n.d.
15. Jerome Klinkavitz, The New American Novel of
Manners. "The Language of Manners." "Thomas McGuane:
The Radicalized Novel of Manners."
16. n.a. "Thomas McGuane: Outlawry and the Quest for the
Right Woman."
17. E. Jean Carroll, " Thomas McGuane, " typescript
photocopy, 8 pp.
Conferences and Symposiums
18. "Thomas McGuane: His Fiction and Film."
University of Wyoming, 1989. Correspondence, 1988.
19. Stanford University Centennial Exhibit,
correspondence, 1988.
20. Montana 1989 Arts Conference. Program, 1989.
Awards
21. Correspondence, notes, 1988.
Videotape Documentary
22. "Montana Memories." Correspondence and
program, 1989.
Feature Articles
23. Time, 22 December 1989. Tear sheet,
correspondence.
24. Time (30 September 1991) with article featuring
Thomas McGuane; TLS, Jerome Carna? [Time] to
Thomas McGuane, 23 August 1991, 2 pp., re: Visit to
Montana and reaction to article MS on Montana.
25. Tear sheets from various feature articles in
newspapers and magazines, 1985-1989.
Book Reviews
26. Book Reviews, Rain or Shine by Cyra McFadden,
typescript original, 5 pp. & typescript
original 5 pp, with annotations.
Love in the Ruins by Walker Percy, typescript
carbon, with annotations, 6 pp.
Plays
27. Islanders. A Play in Three Acts, June 1965,
typescript photocopy, 88 pp.
28. Lead Balloons. Three Act Play, n.d., typescript
computer generated original with annotations,
68 pp.
BOX 2
Screenplay: Wanderer
1. Wanderer. Autobiography by Sterling Hayden,
screenplay by Thomas McGuane, n.d., typescript
carbon, 154 pp., and holograph revisions, 7 pp.
and TLS, Steve McQueen to TM, 1977, 1 p.
2. Wanderer. [No title page], typescript original
with annotations, 130 pp.; TLS, Sidney
Pollack to TM, n.d., 1 p.
Stories and Essays
3. "Lake Rental." Computer printout with annotations,
25 pp,, and holograph draft, 105 pp.
4. "Fishing the Flats." Correspondence, agreement,
1979.
5. "An Artlife in Flyover Country." Typescript
original with annotations, 13 pp.
6. "Montana= A Preface." Typescript original with
annotations, 10 pp., and typescript carbon, 12 pp.
7. "A Private Word for the Horse." Typescript
original with annotations, 6 pp., and typescript
photocopy, 7 pp. for Outside, 1982.
8. "A Few Notes on the Blood Sports." Typescript
original with annotations, 10 pp., and typescript
carbon, 7 pp.
9. "Diving." Typescript original with annotations,
13 pp., and typescript original, 4 pp.
10. Sports Illustrated articles. Listing, 2 pp.,
"Riders on the Brink," photocopy of 3 May 1971
issue; "A Bomb in Sheep's Clothing," photocopy of
28 February 1972 issue; "Hazardous Life in a Meat
Bucket," photocopy of 15 May 1972 issue.
11. Correspondence, 1969-1973, Raymond Cave/Pat Ryan-
Sports Illustrated
12. "My God, Where Are We?" Typescript photocopy with
annotations, 14 pp., and typescript photocopy,
22 pp., and 1 TLS, 1983.
13. "The Queek and the Daid." Holograph, 12 pp.
14. "Home." Holograph, 13 pp.
15. "Mildred." Typescript original with annotations,
18 pp.
16. "Stairway to the Stars." Typescript photocopy
with annotations, 25 pp.
17. "Sam Bird." Typescript original with annotations,
19 pp., and typescript photocopy, 10 pp.
18. "An American Abroad." Typescript original with
annotations, 25 pp., and "Sailing," typescript
original, 20 pp.
19. "A New River." TLS, David Seybold, n.d., and
galley with annotations, 2 pp. for Angler.
20. "Vanishing Breed." Introduction to book, galley
with annotations, 1982.
21. "Victim and the Rescuer." Holograph, 21 pp.
22. "Trout Fishing: An Introduction." Typescript
original, 8 pp.
BOX 3
1. "Beyond the Infield." Typescript original with
annotations, 5 pp., typescript photocopy, 28 pp.,
and typescript photocopy, 13 pp.
2. "El Western." Correspondence, 1983.
3. "El Western." First Draft, typescript original
with annotations, 26 pp.; Second Draft, typescript
photocopy, 22 pp.; Second Draft with Revisions,
typescript photocopy with annotations, 21 pp.
plus 35 pp.
4. "El western." Galleys, 1983.
5. "The Other Half." Typescript original, 15 pp.,
and revisions, 10 pp.
Plays
6. Family Album. A Play in Three Acts. Typescript
photocopy, 72 pp.
7. Family Album. A Play by Thomas McGuane.
Typescript computer generated original, 72pp.
BOX 4
Novel: The Fire Season
1. Correspondence, 1965,
2. Holograph notebook written while at Yale
University, n.d, 35 pp.
3. The Fire Season. Typescript carbon with
annotations, bound copy, 181 pp. with TLS, Tom
McGuane to Robert Loomis, 26 March 1965.
4. Notebook, holograph, June 1964, 235 pp.
Three notebooks, "on the novel Ireland,"
holograph, 387 pp.
BOX 5
Novel and Screenplay: The Bushwhacked Piano
1. Correspondence, 66 pieces, 1966-1980.
2. Reviews and cover design of paperback edition.
3. MS, typescript original and photocopy composite
with annotations, approximately 205 pp.
4. MS, Final Version, typescript photocopy with
annotations, 247 pp,
5. Screenplay by Thomas McGuane, Medion Incorporated,
San Francisco, CA, March 1971 typescript
photocopy, 157 pp., with TLS in back. 30 January
1975, Candice Lake to Jenny Peonessa.
6. Screenplay by Thomas McGuane, Lantz-Donadio
Agency, New York, NY, typescript original with
annotations, n.d., 108 pp.
7. Sequence Continuity, typescript photocopy with
annotations, 16 pp.
8. Paperback book: Thomas McGuane, De doorzeffd_e
piano (Merlenhoof, Amsterdam, 1989) . [Dutch
edition].
BOX 6
Novel: Ninety Two in the Shade
1. Correspondence, 1973-1984.
2. MS, [untitled], typescript photocopy, n.d.,
227 pp.
3. MS, [untitled], typescript photocopy with
annotations, n.d., 227 pp,
4. MS, First Draft, typescript photocopy, 227 pp.
5. MS, [untitled], typescript photocopy with
annotations and revision pages, approximately
150 pp.
6. Book covers.
BOX 7
Screenplay: Ninety Two in the Shade
1. Correspondence, 1973, re: first draft.
2. Screenplay by Thomas McGuane, typescript
photocopy, 110 pp.
3. Screenplay by Thomas McGuane, typescript carbon,
110 pp.
4. Screenplay by Thomas McGuane, 23 September 1974,
The EK Corporation/Paramount Studios, typescript
original with annotations, 118 pp.
5. Screenplay by Thomas McGuane, 26 August 1974,
typescript photocopy with annotations, 118 pp.
6. Reviews. Tearsheets.
BOX 8
Novel: Panama
1. MS, typescript carbon inscribed by Thomas McGuane
on title page, 180 pp.
2. MS, printer's copy with annotations, 184 pp., with
book layout plans,
3. List of individuals to whom galleys were sent,
publicity plans.
4. Two variant copies of galleys with annotations,
n.d., 63 pp.
5. Excerpt from novel as it appeared in Essuire,
photocopy, 42 pp.
6. Cover from paperback edition (UK) with TLS,
Elisabeth Lindner to Seymour Lawrence,
7 December 1989, 1 p.
7. Reviews, Tear sheets from newspapers and
magazines.
8. Paperback book: Vera Pagin, Herausgegeben,
Nirwana Blues: Ein Lesebuch der neuesten
amerikanischen Literatur (Munchen: Wilhelm Heyne
Verlag, 1990).
BOX 9
Essays and Stories: An Outside Chance
1. Correspondence, 1979-1989. 3 items. TLS, Camille
Hykes to TM, 13 June 1990, 1 p. re: An Outside
Chance.
2. "Small Streams in Michigan." Typescript original
with annotations, 17 pp.; typescript photocopy
with annotations, 16 pp.; Tear sheet of printed
article from AAA Motor News, (February 1976).
3. "Me and My Bike and Why." Typescript photocopy
with annotations, 8 pp.; typescript photocopy with
annotations, 10 pp.; typescript original with
annotations, 8 pp.; "Finally, We Were Left Alone,
Just Me and My Bike," photocopy of article that
appeared in Sports Illustrated (21 February 1972), 4 pp.
4. "Tarpon Hunting." Typescript photocopy with
annotations, 21 pp. "Tarpon Hunting,n typescript
carbon with annotations, 20 pp.
5. "The Life and Hard Times of Chink's Benjibaby."
Correspondence, 1983; typescript original with
annotations, 17 pp.; typescript photocopy, 16 pp.;
galley for Future Horse, 7 pp.
6. "Roping From A to B." Typescript original with
annotations, 23 pp.; typescript carbon with
annotations, 22 pp.
7. "The Longest Silence.n Typescript photocopy with
annotations, 17 pp.; typescript photocopy ms
fragment with annotations, 1 pp.; photocopy of
article that appeared in Sports Illustrated
(1 December 1969), 9 pp.
8. "Angling Versus Acts of God: A Trip into British
Columbia." Typescript carbon, 16 pp.
9. "Another Horse." Typescript original with
annotations, 12 pp.
10. "Motocross." Typescript original with
annotations, 15 pp.; typescript photocopy with
annotations, 16 pp.
11. "The Heart of the Game." Typescript original with
annotations, 20 pp.; [untitled] typescript carbon,
22 pp.
12. "Close to the Bone." Typescript original with
annotations, 13 pp.; typescript carbon, 13 pp.;
Tear sheet of essay from Eastern Review
(April 1981).
13. Page Proofs, with annotations, 20 August 1980,
photocopy, 121 pp.
14. Page Proofs, with annotations, 22 July 1980,
photocopy, 121 pp.
BOX 9A
1. An Outside Chance. Printers MS, 1990.
2. Master Proofs, photocopy with annotations and
printers marks, ca. 1990.
3. Tearsheets, offprints from articles as originally
published.
BOX 10
Essays and Stories: An Outside Chance
1. Dust Jacket/Cover Art. 5 items. Correspondence,
2 items.
2. Reviews, Photocopies of tearsheets, 13 items.
3. Book MS, Composite corrected manuscript and proof,
with annotations, typescript original and
photocopy, 169 pp.
4. "Author's Extra Set," photocopy, 294 pp.
5. Galley, with annotations, photocopy, 241 pp.
6. "Page Proofs," signed by author, photocopy,
243 pp.
BOX 11
Novel: Something to be Desired
1. Correspondence, 1983-1984. 3 items.
2. Correspondence, 1984-1985. 14 items.
3. Advertisements--newspapers and periodicals, 3 items.
4. Dust Jacket Art. 3 items,
5. MS, Composite typescript original and carbon
with annotations, 253 pp.
6. Corrected Paste-up Galley, 174 pp.
7. MS, typescript original with annotations, 244 pp.
8. MS, "Author's Ribbon Copy,n typescript original with
annotations, 243 pp.
BOX 12
Novel: Something to be Desired.
1. MS, typescript photocopy, 56 pp.
2. MS, typescript original, with annotations, on
yellow lined legal paper, 17 pp.
3. MS, Master Galleys, photocopy with printers marks,
unnumbered, ca. 250 pp.
4. MS, Blue Line, 174 pp.
5. MS, "Slash andBurn Outline," typescript original
with annotations, with holograph notes, unnumbered
250 pp.
BOX 13
Novel: Something to Be Desired
1. MS, "Ist Draft," typescript original, with annotations, 254 pp.
2. Reviews, photocopy and original tearsheets, 50 items.
3. Reviews, photocopy and original tearsheets, 70 items.
4. Conference Tour, 1985, University of Florida Writers Festival,
2 items.
BOX 14
Novel: Nobody's Angel
1. Correspondence, 1981-1984. 5 items.
2. MS, typescript photocopy with annotations, 295 pp.
3. MS, Part II of above MS.
4. MS, holograph draft, "Drawn by Hand: A Novel in
Progress," 39 pp.; Correspondence, 8 January 1980,
TLS, from Elliott Andersen.
5. MS, typescript original, crossed out is title
"Drawn by Hand: A Novel in Progress," with
annotations, 170 pp.
6. MS, typescript photocopy with annotations, 295 pp.
BOX 15
Novel: Nobody's Angel
1. MS, typescript original, signed by the author with annotations,
295 pp.
2. MS, typescript carbon, 34 pp.
3. MS, "Author's Set Galley," photocopy with printer marks, 74 pp.
4. Dust Jacket Art, 9 items.
5. MS, no title, typescript photocopy with annotations, 16 pp.
6. MS, "Setting Copy," photocopy with printers marks, 295 pp.
7. MS, "Blue Line," with holograph notes, 227 pp.
BOX 16
Novel: Nobody's Angel
1. MS, Galley, photocopy with printers marks, signed by author,
9 September 1980, 74 pp.
2. MS, "Master Sets," photocopy, 174 pp. and 178 pp.,
4 November 1980.
3. MS, typescript carbon, 258 pp.
4. MS, typescript photocopy, "Drawn by Hand: A Novel
in Progress," 100 pp.
BOX 17
Screenplay: Nobody's Angel
1. Screenplay, first draft, signed by the author,
typescript original with annotations, 145 pp.
2. MS, "Nobody's Angel," typescript photocopy with
annotations, 48 pp. and miscellaneous pages with
annotations, ca. 30 pp.
3. MS, Nobody's Angel, typescript original with
annotations, 246 pp.
4. Screenplay, typescript original with annotations,
155 pp.
5. Nobody's Angel, Screenplay, n.d., typescript
photocopy, 159 pp.
6. Screenplay, typescript photocopy with annotations,
99 pp.
7. Correspondence and Notes, 1982. TLS, Thomas
McGuane to Robert Redford, 22 March 1982,
photocopy, 5 pp,; Screenplay pages with notes,
miscellaneous pages with annotations, 4 pp.;
Screenplay Notes, typescript original, Robert
Redford to Thomas McGuane, 4 August 1982, 2 pp.;
Notes, [Robert Redford], 14 August 1982,
typescript original, Ip.; TLS, "R" [Robert
Redford] to Thomas McGuane, 16 August 1982, with
notes, 2 pp.; Notes by Robert Redford, typescript
original with annotations, 3 pp.; "Specific Notes
by Page," typescript original with Tom McGuane's
annotations, 5 pp.; "Specific Notes by Page," by
Robert Redford, typescript original with
annotations, 2 pp.; Untitled notes, typescript
original by Robert Redford in collaboration with
Sidney Pollack, 3 pp.; TLS, Thomas McGuane to
Robert Redford, September 1982, photocopy, 8 pp.
with annotations; TL, Thomas McGuane to Robert
Redford, September 1982, first page only of
incomplete TLS.
BOX 18
Novel: Nobody's Angel
1. Nobody's Angel, paste-up galleys, ca. 250 pp.
2. MS, "In the Crazies," typescript original
with annotations, 57 pp.
BOX 19
Stories: To Skin A Cat
1. Correspondence, 1978-1987. TLS, Mark Rydell
[Twentieth Century-Fox] to Thomas McGuane,
4 October 1978, Ipp.; TLS, Georgina Capel [Martin,
Seeker and Warburg, Ltd.] to Thomas McGuane,
7 January 1987, 1 p.
2. Story in Tri Quarterly 50 (Winter 1981); offprint
signed by author.
3. MS, "The Rescue," typescript computer generated
original, 11 pp.
4. Promotional broadside ad slick Vintage Press;
Jerome Klinkowitz, "The Long and Short of It,"
High Plains Literary Review (Spring 1987),
photocopy, review and analysis of To Skin A Cat
E.P. Dutton Fall/Winter 1986-87 Publications
Catalog,
5. "Master Set--First Pass," photocopy with printers
annotations, 56 pp.
6. MS, typescript computer generated original with
annotations, 244 pp.
7. "Author's Galley--Catchline Set," photocopy
with printers annotations, 216 pp.
8. "Page Proofs," photocopy, 212 pp.
BOX 20
Stories: To Skin A Cat
1. MS, "To Skin A Cat= A Novella," holograph, 100 pp.
2. Page Proofs, photocopy with annotations, 45 pp.;
MS, typescript computer generated original, with
annotations, unnumbered, ca. 50 pp.
3. MS, First Draft, typescript original with
annotations, 68 pp.; TLS, Susan Breneman to Thomas
McGuane, 12 May [1980], 2 pp., with Galley,
photocopy with annotations, 30 pp.
4. MS, typescript photocopy with annotations, 67 pp.
5. MS, typescript -original, 67 pp. re: "To Skin A
Cat." TLS, Dan Doolin [Rocky Mountain] to Thomas
McGuane, 21 May 1984, 1 p.
6. MS, typescript computer generated original with
annotations, 24 pp. with miscellaneous pages. re:
"Partners." TLS, Alice Turner [Playboy] to Thomas
McGuane, 7 May 1986, 1 p.
7. Galley, photocopy, 56 pp.
8. MS, "The Road Atlas," typescript photocopy with
annotations, 18 pp.; MS, "The Road Atlas,"
typescript photocopy with annotations, 21 pp. TLS,
Alice K. Turner [Playboy] to Thomas McGuane,
21 May 1986, 1 p., TLS, Camille Hykes [E.P. Dutton]
to Thomas McGuane, 15 May 1986, 1 p.
9. MS, "The Alamo, Monticello, and Bunker Hill,"
typescript carbon with annotations, 23 pp.; MS,
"The Alamo, Monticello, and Bunker Hill" and
written in title "Road Atlas," typescript carbon
with annotations, 25 pp.; "Road Atlas," partial
typescript carbon with annotations, pp. 13-21.
BOX 21
Stories: To Skin A Cat
1. MS, "The Millionaire," typescript original with
annotations, 25 pp.; MS, "The Millionaire,"
typescript computer generated original with
annotations, 26 pp.
2. MS, "The Skirmish," holograph on legal ruled
paper, 13 pp.; MS, "A Skirmish,"typescript
computer generated original with annotations, 10
pp; MS, "[Askirmish]", typescript computer generated
original with annotations, 10 pp.; MS,"A
Skirmish," typescript original with annotations,
13 pp.; Ms, "Skirmish," typescript computer
generated original, 13 pp.; MS, ["A Skirmish"],
"Early Draft," typescript original with
annotations, 13 pp. TLS Charles McGrath [The New
Yorker] to Thomas McGuane, 10 June 1985, 1 p. re:
"Skirmish. "
3. MS, "The Rescue," typescript original with
annotations, Ilpp. [two copies with differing
annotations]; MS, "The Rescue," typescript
computer generated original, "early draft in 3rd
person, Ist person appears in May 1985 Vanity
Fair, with annotations, 14 pp.; MS, "The Rescue,"
typescript photocopy with annotations, 10 pp.;
Galley, photocopy, Vanity Fair, 29 July 1985, 7
pp.; tearsheet, "The Rescue", Vanity Fair 49:10
(October 1986); MS, "The Rescue," typescript
computer generated original, 11 pp.
4. MS, "The Bellvue Lunch," and "The Partners"
pencilled on page, typescript computer generated
original with annotations, 20 pp.; MS, "The
Bellvue Lunch," typescript original with
annotations, 20 pp.; MS, "The Bellvue Lunch,"
typescript original with annotations, 20 pp.; MS,
"The Bellvue Lunch," with "The Partners" pencilled
on cover, typescript photocopy, 20 pp. Tearsheet,
"Partners," Playboy 33=12 (December 1986),
5. MS, "The Sportsmen," typescript original with
annotations, 8 pp.; MS, "The Sportsmen,"
typescript original with annotations, 6 pp.; MS,
"The Sportsmen," "completed first draft,"
typescript computer generated original with
annotations, 8 pp.; tearsheet, "The Sportsmen,"
Playboy 32:10 (October 1985). TLS, James Morgan
[Playboy] to Thomas McGuane, 12 June 1985, 1 p. re:
"The Sportsmen."
6. MS, "Two Hours to Kill," typescript original with
annotations, 6 pp.; MS, "Two Hours to Kill,"
typescript photocopy with annotations, 7 pp.; MS,
"Two Hours to Kill," typescript photocopy with
annotations, 6 pp.; MS, "Two Hours to Kill,"
typescript original with annotations, 7 pp.
7. MS, "Dogs," typescript computer generated
original, 8 pp.; MS, aDogs," original typescript
with annotations, 8 pp,; MS, "Dogs," typescript
original with annotations, 7 pp.; tearsheet, Grand
Street 5:2 (Winter 1986) containing "Dogs" story.
8. MS, "Like A Leaf," typescript photocopy with
annotations, 21 pp.; MS, nlike A Leaf," typescript
photocopy with annotations, 21 pp.; MS, "Like A
Leaf," typescript original with annotations,
23 pp.; MS, "Like A Leaf," typescript original
with annotations, 21 pp.; tearsheet, "Like A
Leaf," Playboy 30:1 (January 1983); MS, "Like A
Leaf," typescript computer generated original with
annotations 11 pp., other copy 12 pp.
9. MS, "A Man in Louisiana," typescript photocopy
with annotations, 13 pp.; MS, "A Man in
Louisiana," typescript original with annotations,
13 pp.; MS, "A Man in Louisiana," typescript
original, "first draft," with annotations, 14 pp.
TLS, Mary Brown to Thomas McGuane, 22 July 1986,
1 p. re: "A Man in Louisiana."
10. MS, "Flight," typescript photocopy, with
annotations, 7 pp.; MS, "Flight," typescript
original with annotations, 7 pp.; Galley,
"Flight," Esquire (August 1986), photocopy, 2 pp.
11. First Draft Screenplay, typescript carbon, 114 pp.
12. First Draft Screenplay, typescript carbon, 124 pp.
BOX 22
Screenplay: Tom Horn
1. Correspondence. TLS, Huguette Kline to Thomas
McGuane, 21 May 1979, 1 p. RE: Will Henry credit on
screenplay; TLS carbon, Thomas McGuane to Writers
Guild of America, 23 May 1979, 1 p. RE: arbitration over
screenplay credit.
2. Conference Notes, 24 and 25 May 1977, photocopy
27pp, involving Steve McQueen, Thomas McGuane, Don
Siegal, and Carol Schraeder.
3. Screenplay, holograph, 150 pp.
4. Typescript carbon, 106 pp.
5. First Draft, typescript carbon, 205 pp.
6. [In white binder] typescript composite and
photocopy with annotations, ca. 170 pp.
BOX 23
Screenplay: Tom Horn
1. "Tom Horn," typescript carbon screenplay with
annotations, n,d., ca. 200 pp,
2. Tom Horn. Screenplay, First Draft, typescript
photocopy, 205 pp.
3. Tom Horn. Screenplay, 2 January 1979, typescript
photocopy with production marks, 119 pp.
4. Mr. Horn. Screenplay by William Goldman, Lorimar
Productions, Final draft, 26 May 1978, typescript
photocopy, 206 pp. with colored revision pages.
5. The Life of Tom Horn: Government Scout and
Interpreter Written by Himself, Introduction by
Dean Krakel, photocopy of publication, 1964,
University of Oklahoma Press, 140 pp.
BOX 24
Screenplay: Tokyo Bay
1. First Draft Screenplay, based on the novel Dragon
at the Gate by Robert Duncan, typescript photocopy
with annotations, 136 pp. with holograph notes by
McGuane, 6 pp.
2. First Draft Screenplay, typescript original, 143 pp.
3. First Draft Screenplay, typescript original with
annotations, 135 pp.
4. Typescript carbon, 144 pp.
Screenplay: Flying Colors
5. Correspondence, 1977.
6. First Draft Screenplay, typescript original with
annotations, 128 pp.
7. First Draft Screenplay, typescript photocopy with
annotations, 150 pp.
8. Correspondence, Rancho Deluxe.
BOX 25 (BOX 25 IS TO BE OPENED ONLY WITH THE WRITTEN PERMISSION OF Mr. McGUANE)
1. Correspondence: Jim Harrison to Thomas McGuane,
Undated.
33 TLS, ca. 40 pp.
13 ALS, ca, 20 pp.
2. Correspondence: Jim Harrison to Thomas McGuane, 1966-1969.
17 TLS, ca, 20 pp.
6 ALS, ca. 15 pp.
3. Correspondence: Jim Harrison to Thomas McGuane, 1970.
16 TLS, ca. 18 pp,
1 ALS, 2 pp.
4. Correspondence: Jim Harrison to Thomas McGuane, 1971.
16 TLS, ca. 25 pp,
5. Correspondence= Jim Harrison to Thomas McGuane, 1972.
16 TLS, ca, 20 pp.
6. Correspondence: Jim Harrison to Thomas McGuane, 1973.
22 TLS, ca, 45 pp.
7. Correspondence: Jim Harrison to Thomas McGuane, 1974-
1979.
6 TLS, ca. 15 pp.
2 ALS, 4 pp.
8. Correspondence: Jim Harrison to Thomas McGuane.
56 TLS,
9. Correspondence: Jim Harrison to Thomas McGuane, 1980.
2 ALS, 4 pp,
BOX 26 (BOX 26 IS TO BE OPENED ONLY WITH THE WRITTEN PERMISSION OF Mr. McGUANE)
1. Correspondence: Jim Harrison to Thomas McGuane, 1981.
6 ALS, ca. 20 pp.
2. Correspondence= Jim Harrison to Thomas McGuane, 1982.
23 ALS, ca, 50 pp.
3 ALS, 7 pp.
3. Correspondence: Jim Harrison to Thomas McGuane, 1983,
1 TLS, 1 p.
18 ALS, ca. 45 pp.
4. Correspondence: Jim Harrison to Thomas McGuane, 1984.
1 TLS, Ip.
15 ALS, ca. 45 pp.
5. Correspondence: Jim Harrision to Thomas McGuane, 1985.
2 TLS, 2pp.
16 ALS, ca. 40 pp.
6. Correspondence: Jim Harrison to Thomas McGuane, 1986.
1 TLS, 1 p.
10 ALS, ca. 20 pp.
7. Correspondence: Jim Harrison to Thomas McGuane, 1987.
21 ALS, 42 pp.
8. Correspondence: Jim Harrison to Thomas McGuane, 1988.
17 ALS, 34 pp.
2 TLS Poems, 2 pp.
9. Correspondence: Jim Harrison to Thomas McGuane, 1989.
18 ALS, 34 pp.
10. Correspondence: Jim Harrison to Thomas McGuane, 1990.
1 TLS, 1 p.
15 ALS, ca, 35 pp.
11. Correspondence: William Hjortsberg to Thomas McGuane,
1965-1972.
24 TLS, Ca. 50 pp.
3 ALS Postcards.
12. FAX, 7pp. of "Fishing: Thomas McGuane, The F-Word,"
from Esquire (December 1991), with ALS from publisher
to Thomas McGuane.
13. "On Westley's River," MS, computer generated with
annotations, ca. 60 pp,
14. Correspondence, miscellaneous, 1968-1991, 17 pieces.
BOX 27
Screenplay: Rough Cut
1. Screenplay, typescript photocopy (lacking title
page), 143 pp. TLS, Jim Anderson CInternational
Creative Management] to Thomas McGuane, 26
November 1979, 1 p. re: Compliments on Rough Cut
and To Skin A Cat.
2. "Screen Arbiters," typescript mimeograph, November
1979, 4pp.; "Credits Manual," Writers Guild of
America, 19 May 1966 (revised 1976).
3. Diamonds in the Rough. First Draft Screenplay,
based on the novel Touch the Lion's Paw by Derek
Lambert, typescript carbon, 107 pp.
4. Rough Cut, screenplay, typescript carbon composite with
annotations, 130 pp.
5. Diamonds in the Rough. Screenplay, typescript carbon
fragments with annotations, ca. 35 pp.
6. Diamonds in the Rough. First Draft Screenplay,
typescript carbon, 97 pp.
7. Correspondence, Missouri Breaks, 1975.
8. Missouri Breaks, typescript original with
annotations, 118 pp.
BOX 28
Screenplay: Tropical wholesale
1. Typescript original, 123 pp.
2. First Draft Screenplay, typescript photocopy, 144 pp. (bound).
3. Holograph First Draft,"Florida Wholesale"
[Tropical Wholesale], 175 pp., legal ruled paper.
4. First Draft Screenplay, typescript carbon, 144 pp.
5. Second Draft Screenplay, August 1979, typescript photocopy,
144 pp. with note from Jeffrey Berg from International
Creative Management.
6. Second Draft Screenplay, typescript carbon, August 1979,
130 pp.
7. Holograph notes, 31 pp.
BOX 29
Screenplay: Cold Feet
1. Correspondence. TLS, Bob to Thomas McGuane, n.d.,
Ip. re: Submission of "Razorback."; TLS, Al G.
Hill [AGH Productions] to Gene E. Phillips
[Southmark Corp.], 9 June 1987, 1 pp., photocopy,
re= "Razorbackn screenplay, and attached to
synopsis; ALS, Cassian [Cinema Group Entertainment] to
Thomas McGuane, 1 December 1987, 2 pp. re: Failure of
"Razorback" deal.
2. Tearsheet, New York Times, 19 May 1989, review; "Three Wierdos
and a Horse," 7 Days, 24 May 1989, review.
3. Second draft screenplay, typescript carbon with
annotations, 169 pp.
4. "Razorback,n typescript carbon, 100 pp.
5. [no title page], typescript original with annotations, 99 pp.
6. "Cold Feet," by Thomas McGuane and Jim Harrison,
Avenue Entertainment, typescript photocopy, 105 pp.
7. "Cold Feet," Recruited Audience Survey, 24 October 1988,
National Research Group, 14 pp. Contract copy for Screen
Actors Guild, 20 June 1988, for Tom McGuane as actor.
8. [no title page], typescript original with annotations, 100 pp.
BOX 30
Screenplay: The Boulevard West
1. "The Boulevard West," Second Draft, typescript
carbon, 142 pp.
2. "The Boulevard West," typescript carbon with
annotations, 110 pp.
3. "The Boulevard West, typescript original with annotations, ca.
150 pp.
4. "The Boulevard West," Original Final Draft,
typescript original with annotations, 130 pp.
5. [no title page], typescript carbon, 144 pp.
6. "The Boulevard West," typescript carbon, 107 pp.
7. "The Boulevard West," typescript photocopy with
annotations, 115 pp.
8. "The Boulevard West," Second Draft, typescript
photocopy, 144 pp.
BOX 31
Novel: Keep the Chance
1. Correspondence, 1989-1991. 51 items.
2. Reviews. Tearsheets and photocopies from
publications, ca, 35 items.
3. MS, Master Set, photocopy, 266 pp.
4. Press Releases, Houghton-Mifflin publishers.
5. Dust Jacket/Cover Art. 3 items.
6. Publishers Catalogs. Houghton-Mifflin publishers,
M6tS Publishers (Canada).
7. Galley, for Smart (July-August 1989), photocopy, 17pp.
8. TLS, Sarah Burnes [Houghton Mifflin Co.] to Thomas
McGuane, re: cover design for Swedish edition of
Keep the Change.; 1 TN, re: questions for Swedish
translation of Keep the Chance, from Ingvar
Skogsberg. Color photocopy of dust jacket design.
9. Keep the Change, Screenplay by John Miglis, 25
July 1991, photocopy, 111 pp., with TLS, Dorian
Frankel to TM, -[International Creative
Management], 7 August 1991, Ip., 3 Bozeman
[Montana] Chronicle newspapers with articles
describing production of Keep the Change on location.
BOX 32
Novel and Screenplay: Keep the Chance
1. Reviews--European Promotional Tour. 21 items, British, Dutch,
French, and Italian periodicals.
2. European Book Tour--Itineraries.
3. MS, nKeep the Change,n typescript photocopy, 19 pp.
4. MS, Printers MS with Printers marks, "Keep the Change,"
typescript computer generated original, 266 pp.
5. MS, Author's Marked Set, "Keep the Change," 5 April 1989,
photocopy galley, 230 pp.
6. MS, Author's Extra Set, "Keep the Change," photocopy galley,
230 pp.
7. MS, "Keep the Change," typescript computer generated original,
268 pp.
BOX 33
1. Correspondence, 1990. 40 items, TLS, Lesley Karsten [Center for
Visual History] to TM, 23 June 1990, 1 p. re: film crew
visit. TLS, Gordon N. Conable [Monroe County Library
System] to TM, 19 June 1990, 1 p. re: cook book. TLS,
Robert D. Lomis [Random house] to TM, 17 July 1985, 1
p. RE: Something to be Desired. TLS, Robert D. Loomis
[Random House] to TM, 19 August 1985, 1 p. RE=
paperback sales. TLS, John Mitchell to TM, n,d., re:
Tom's latest book. TLS, David A. Kaufelt [Writers & Key
West] to TM, 19 May 1987, 1 p. re: join seminar board,
TLS, Bill Kittredge and Annick Smith [Centennial
Anthology Project] to TM, 21 April 1987, 4 pp. re: The
Last Best Place. TLScc, John Hawkins [John Hawkins bt
Associates, Inc.] to Jonathan Galassi, 1 p. re: Panama.
TLS, Natalie Bowen [Houghton-Mifflin editor] to TM, 13
January 1989, 1 p. re: Keep the Change TLS, William
McPheron to TM, 1 August 1989, 1 p. re: Stanford
University Creative Writing Exhibit. TLS, Nick Lyons
[Lyons & Burford] to TM, 21 September 1989, 1 p. re:
Keep the Change TLS, Kirk Robertson CNevada State
Council on the Arts] to TM, 9 October 1989, 1 p. re:
Readings series. TLS, Aimee Cohen [Houghton-Mifflin] to
TM, 28 September 1989, 1 p. re: personal. TLS, Tom
Martin [CBS News] to TM, 28 September 1989, fragment.
re: McGuane's reading in New York. TLS, David Plumb to
TM, 10 October 1989, 2 pp. re: personal. TLS, Mary to
TM, 11 October 1989, 2 pp. re: Dissertation on TM. TLS,
Greg Morris [Penn State University] to TM, 9 April
1989, 1 p. re: "Thomas McGuane: Fiction and Film." TLS,
26 October 1989, ibid. TLS, Julia [Vogue] to TM, 15
September [1990], 1 p. re= article in London Vogue.
TLS, Sam Halpert to TM, 19 October 1989, 1 p. re:
personal. TLS, Jonathan Silvers to TM, 5 December 1989,
2 pp. re: TM's writings. TLS, John Allured to TM, 23
November 1989, 2 pp. re: TM's writings. TLS, David
Payne to TM, 9 October 1989, Ip. re: Keep the Chance,
TLS, Melinda to TM, 5 October 1989, 2 pp. re: Writing.
TLS, Michael J. Rosen to TM, 5 January 1990, Ip. re:
TM's writings. TLS, David to TM, n.d, re: Interview
article. TLS, [Time] to TM, 6 October 1990, 1 p. TLS,
Michel Vezina to TM, 4 July 1990, 1 p. re: Canadian
film Sinsins Bridses. TLS, William D. Trago Meadow Run
Press] to TM, 17 July 1990, 2 pp. re: Fishing and The
Book of the Tarpon. TLS, John Boykin to TM [Stanford
Magazine] 8 January 1991, 1 p. re: Centennial issue
honoring Stegner Fellows. TLS, Don Henley to TM, 26
April 1991, 2 pp . re: Walden Wood's Project. TLS, Guy
[Time] to TM, 7 September 1990, 1 p. re: Personal ALS,
Lois Welch to TM, 1 November 1988, 1 p. re: Reading at
University of Montana. TLS, Ralph M. DeVries to TM, 7
December 1988, 1 p. re: "Thomas McGuane: His Fiction
and Film." TLS, Jim Hepworth [Lewis-Clark State
College] to TM, 8 November 1988, 1 p. re: Speaking
engagement. Jim Hepworth [Lewis-Clark State College] to
TM, 8 November 1988, 1 p. re= Wallace Stegner Lecture.
TLS, Ralph M. DeVries [University of Wyomingl, 12
January 1989, 1 p. re: "Tom McGuane: His Fiction and
Film." TLS, Ralph M. DeVries [University of Wyoming],
31 October 1988, 1 p. re: Tom McGuane: His Fiction and
Film, TLS, James R. Hepworth to TM, 28 February 1989, 1
p. re: Wallace Stegner Lecture. TLS, Harry R. Harington
[University of Montana] to TM, 10 February 1989, Ip.
re: McGuane speech. TLS, Janet Heisey [McClellan.bt
Stewart Books] to TM, 31 May 1989, 1 p. re: Canadian
publication of TM's work s. TLS, Nick Lyons to TM, 11
August 1989, Ip. re: promotion for book. ALS, Dex
CDexter Westrum] to TM, 14 June 1989, 1 p. re: Book on
McGuane. TLS, Camille Hykes [Houghton-Mifflin] to TM,
29 April 1991, 1 p. re: Sales of books in France. TLS,
Dan W. Lufkin to Yvon Chouinard, 26 September 1990, 1
p. carbon to McGuane, re: Investments. TLS, Michael J.
Rosen to TM, 10 October 1990, 2pp. re: Writing offer.
TLS, Annick Smith and Bill Kittredge, 17 May 1987, 1 p.
re: The Last Best Plac e, TLS, John Boykin EStanford
Magazine] 13 September 1990, 1 p. re: TM's
participation in magazine issue. TLS, Dr. Hiram L.
Davis to TM, 6 May 1991, 1 p. re: Writing offer. TLS,
Dr. Hiram L. Davis to TM, 24 June 1991, 1 p. re:
Writing offer. TLS, Paul Mandelbaum to TM, 13 March
1991, 1 p. re: Writing offer. ALS, Martina E, Vireiol
to TM, 19 July 1991, 1 p. re: Screenplay for Nobody's
Angel. ALS, Martina E. Vireiol to TM, 1 August 1991, 2
pp. re: Editorial work on screenplay for Nobody's
Angel.
BOX 34
Novel: Nothing But Blue Skies
1. MS, Nothing But Blue Skies: A Novel in Progress by
Thomas McGuane. Computer generated typescript original,
n.d,, 426 pp.
2. MS, Nothing But Blue Skies: A Novel in Progress by
Thomas McGuane. Computer generated typescript original,
n.d,, 424 pp.
BOX 35
Novel: Nothing But Blue Skies
1. MS, Nothing But Blue Skies: A Novel by Thomas McGuane
[in ink on the title page], n.d. computer generated
typescript original with annotations, 170 pp.
2. MS, Nothing But Blue Skies: A Novel by Thomas McGuane
"Must be Fall 1991" [in ink on title page]. Computer
generated typescript original with annotations, 152 pp.
BOX 36
1. "Thomas McGuane: His Fiction and Film." Symposium at the
University of Wyoming, 23 and 24 March 1989. 3 T-120 VHS
Videocassettes.
2. Thomas McGuane, Montana Historical Society, November 1990.
T-120 VHS Videocassette.
3. Thomas McGuane, interview, 1990. T-120 VHS Videocassette.
4. "A Conversation with Thomas McGuane," Second Saturday
Lecture Series, Mobile, Alabama, 10 May 1986. T-160 VHS
Video cassette.
5. "Tom Interview," Columbia LX Audiocassette T-90.
BOX 37
Novel: 92 In the Shade
1. First draft, original typescript and some Xeroxed pages,
all on author's personalized stationery, loose with many
original changes and additions in the author's hand,
signed by the author on the title page.
2. Second draft, original typescript of the novel on the
author's personalized stationery. Sheets contain many
original changes and additions in the author's hand. In
a loose leaf binder, signed by the author.
3. Third draft, Xerox of typescript with many original
changes in ink. Loose sheets, signed by the author on
the title page.
BOX 38
Novel: 92 in the Shade
4. Third draft, Xerox of typescript with many original
changes in ink. Quite similar to #3 above. Loose
sheets in loose leaf vinyl notebook. Signed by the
author on the title page with notation, "last changes
before galleys."
5. Final draft, original typescript with original changes
in ink as well as typesetting instructions. Signed by
author on title page.
6. Unbound galley proofs of the novel dated March 1, 1973.
Stapled with handwritten note from editor Michael
DeCapula (dated March 23, 1973) in which he lists the
changes the author dictated over the telephone.
7. Unbound "First Proof" galleys. Signed by the author.
8. Design for book's title page layout.
9. Design for drawings to appear on book's title page.
10. Original letter from Roger Straus (president of Farrar
Straus & Giroux) to the author stating how he is pleased
with the book.
11. Handwritten short note to the author from his editor.
12. Xerox copy of letter from Farrar Straus & Giroux to
Fiction magazine concerning the copyright of 92 in the
Shade.
13. Xerox of typescript of flyleaf notes for the novel,
including changes made therein.
14. Proof of flyleaf notes for the novel.
BOX 39
Screenplay: 92 in the Shade
15. Four spiral notebooks filled with handwritten notes by
the author relating to the screenplay for 92 in the
Shade. These notes are quite complete and relate to all
aspects of the screenwriting process. Each notebook is
signed by the author on its cover.
16. Original typescript of the first draft of author's
screenplay adaptation, loose with many original
changes, signed by the author on the title page.
17. Original typescript of the second draft of author's
screenplay adaptation loose with many original changes,
no title page, signed by the author.
BOX 40
Screenplay: 92 in the Shade
18. Xerox copy of the shooting script for the film. This
is the author/director's own copy in a loose leaf
binder. Signed by the author.
19. Xerox of the film's call sheets (35 sheets), Xeroxed on
both sides. Laid into a manila envelope. Envelope
signed by the author.
20. Xerox of film's screen order. Signed by the author.
21. Xerox of the film's second draft titles. Signed by the
author.
22. Xerox of the film's post production schedule. Signed
by the author.
BOX 41
Novel: Panama
1. Original typescript of the first draft of the novel,
original title THE THIRD MOURNER FROM THE LEFT typed on
the title page, with PANAMA written in hand across the
top of the page, many original changes throughout, in
brown loose leaf notebook, signed by the author on the
title page.
2. Original typescript of the second draft of the novel,
loose sheets, no changes in hand, signed by the author
on the title page.
3. Carbon typescript of the second draft of the novel,
loose sheets, numerous changes throughout in ink, signed
by the author on the title page.
4. 18 legal sized, lined, yellow sheets, containing
handwritten, line-by-line changes made by the author,
signed by the author on the first page.
5. Typed list from the author's editor listing changes
agreed upon by the author over the phone, dated June 1,
1978.
6. Xerox of the proposed title page for the book, including
proposed page ornaments, with notes, signed by the
author.
7. Xerox of page mockups with notes, signed by the author.
8. Sample pages from the printer with hand written notes,
signed by the author.
9. Typed letter from Paul Reynolds, Inc. to the author
concerning the return of the author's manuscript of
Panama.
10. Xerox of three versions of the flyleaf blurb for PANAMA
with editor's notes, signed by the author.
BOX 42
Novel: Panama
11. Unbound proofs for the novel, signed by the author.
BOX 43
Novel and Screenplay: The Bushwacked Piano
1. First draft, original typescript, loose with many
original changes and additions in the author's hand,
signed by the author on the title page.
2. First draft, Xerox copy, loose, signed by the author on
the title page with many original changes and additions
in the author's hand.
3. Final draft, Xerox copy, loose with many original changes and
additions in the author's hand, along with typesetting
and layout directions written in, signed by the author.
4. Xerox copy of the author's screenplay of the adaptation of the
novel, pinned in unmarked cream wrappers, very fine,
dated March 1971, written for Robert De Niro but
never produced, signed by the author.
BOX 44
Novel: The Bushwacked Piano
5. Unknown draft, loose signed by author on title page.
Pages 3 - 214 only with minor corrections.
6. Unknown draft, loose, signed by author with hand
written note: "Rodeo Chapter Missing" on title page.
7. Another unknown draft, loose, signed by author.
BOX 45
Novel and Screenplay: The Sporting Club
1. Final draft, Xerox copy, loose with many original
changes and typesetting instructions, shows novel's
original title - Centennial Moon, signed by the author.
2. First draft of Lorenzo Semple Jr.'s screenplay
adaptation of the novel, pinned in printed yellow
wrappers. The film was released in 1971, signed by
McGuane on the title page.
Screenplay: The Missouri Breaks
1. Original typescript of the first draft screenplay, with
alternate title "The Relay" written across the top of
the title page, numerous original changes, loose sheets,
signed by the author on the title page.
2. Original typescript of the second draft of the
screenplay, a few original changes, loose sheets laid
into a yellow vinyl folder, signed by the author on the
title page.
3. Xerox of the third draft of the screenplay, pinned into
cream wrappers, dated June 20, 1975, no changes written
in, signed by the author on the title page.
4. Xerox of the final draft of the screenplay, numerous
markings and typesetting instructions preparing the
screenplay for publication in book form, includes
introduction to book and short bibliographies of Marlon
Brando, Jack Nicholson, Kathleen Lloyd, Arthur Penn
(director) , Elliott Kastner (producer), Robert Sherman
(producer), and Thomas McGuane, signed by the author on
the title page.
5. Casting call poster for the film displayed on location
to get bit extras, signed by the author. Stills from the
movie (gift of Pete Dzworkoski, July 1984)
BOX 46
Screenplay: Rancho Deluxe
1. Original typescript of the screenplay, loose with
original changes in ink written in, signed by the author
on the title page.
2. Xerox of the second draft of the screenplay pinned in
blue/gray vinyl wrappers, signed by the author on the
title page.
3. Xerox of the second draft of the screenplay pinned in
black vinyl wrappers, signed by the author on the title
page.
4. Xerox of the final draft of the screenplay with some
original typed pages within, some original changes in
ink, film call sheets laid in, in black notebook with
clasp, embossed with film's name and author's name,
signed by the author on the title page.
BOX 47
Correspondence
1. Correspondence, 1969-1971.
Short Stories
2. "The Road Atlas," 18 page typescript in black folder with
signed letter from McGuane to "Trish" dated May 21,
1986. Dealer note laid in.
3. "Something To Be Desired," 21 page typescript of first
chapter.
Screenplay: Tom Horn
4. Tom Horn, Xerox of screenplay dated "9/6/78."
BOX 48
1. Foreign newspaper and magazine clippings.
2. Miscellaneous reviews and correspondence.
3. Miscellaneous correspondence.
4. Manuscript: "The Two Nobel Kinsmen and the Maid's
Tragedy," by Thomas McGuane for English 124/126, Yale
University. Typescript original, with annotations, 37
pages.
5. Invitations to write.
Miscellaneous manuscript material
6. Bushwhacked Piano. Misc. MS material, 22 pp., typescript
carbon with annotations.
An Outside Chance. "Wading the Hazards," ca.50 pp.,
typescript original with annotations.
"Dogs," early MS draft "Time and the Beamer,"
typescript original with annotations, 8 pp.
"Flying Colors," screenplay, TLS, Alex Canner, 13
August 1988, 3 pp. An Outside Chance. "Traveler," MS
story galley, To Skin a Cat. "Rescue," MS draft,
typescript original with annotations, 15 pp. TLS, Tom
Carney, n.d., 2 pp.
BOX 49
1. ALS, George Hooker, n.d. ALS, Larry [Winn Galleries] , 2 April
1983, 1 p. MS, unidentified typescript pages.
Nobody's Angel. MS, misc. manuscript pages, typescript
original and holograph with annotations, 30 pp.
The Sporting Club. "Centennial Moon," story MS,
typescript photocopy, 15 pp.
2. Manuscript fragments.
3. Wallace Stegner Fellowship and other applications by Tom
McGuane for teaching positions/writing fellowships.
Correspondence, 1957-1968.
4. Bushwhacked Piano. MS, misc. pages of screenplay,
typescript original and carbon with annotations.
5. Bushwhacked Piano. MS, misc. pages ca. 1970, typescript,
carbon, photocopy.
6. Bushwhacked Piano. MS, typescript misc. pages not used,
typescript original with annotations.
7. Bushwhacked Piano. MS, misc. pages ca. 1970,
typescript, carbon, photocopy.
BOX 50
1. An Outside Chance. Galley, photocopy with annotations,
inscribed by the author on title page.
2. MS, "Outside Chance," Author's Marked Set, photocopy, 9
June 1990, 291 pp.
3. Nobody's Angel. "Chapter Seven, High Plains Drifter."
MS, typescript photocopy. The Sporting Club. "Chapter
Two, Rivalry and Comic Violence," MS, typescript
photocopy. The Bushwhacked Piano, "Chapter Three, The
Protagonist at Large," MS, typescript photocopy with
annotations. Ninety-two in the Shade, "Chapter Four, The
Discovery of a Life." MS, typescript photocopy. Something
to be Desired. "Chapter Eight, From Son to Father." MS,
typescript photocopy. To Skin A Cat, "Chapter Nine,
Something Old, Something New." MS, typescript photocopy
with annotations. [Untitled], MS, typescript original
with annotations.
Correspondence
4. ALS, Dan [Billings Gazette] to TM, 6 Dec. 1989.
TLS, Kester Freriks [NRC Handelsblad] to TM, 15 April
1989, with article by the author. TLS, Gillian Silverman
[Viking Penguin] to TM, 10 April 1991, with color dust
jacket from The Sporting Club (paperback).
Screenplay: Tom Horn
5. First draft. Screenplay, typescript carbon, 17 pp. n.d.
6. Miscellaneous MS, working drafts of various articles.
7. Book Fair Material.
URL: http://www.lib.msu.edu/coll/main/spec_col/writer/mcguane.htm